Salaire de la peur, Le AKA The Wages of Fear(1953)

This is an extraordinary movie. From the opening scene showing the squalor of a Latin American town with filth and vultures in the street and naked children begging for food amid the oppressive, fly-stirred heat, to the finale on a winding mountain road, it is just plain fascinating.
Yves Montand has the lead as Mario, a Frenchman stranded in this god-forsaken town with only one way out: get enough money to pay for airfare. Charles Vanel is the older, tin-horn dandy who ends up with a case of the shakes. Peter Van Eyck is the man with the nerves of steel who finds this little adventure a piece of cake after forced labor in the salt mines for the Nazis. And Folco Lulli is Luigi, the happy, singing baker who hopes to return to Italy with the two thousand dollars they are paying him to drive the nitro-loaded truck.Vera Clouzet, plays Linda who first appears scrubbing the floor in an open-air bistro. She is rather extraordinary herself, finely made up and creamy white like a star of the silent film era. She grovels a lot, especially for Mario. She provides the counter-point, the contrast for the testosterone action of the movie.
Henri-Georges Clouzet directs and somehow manages to come up with a work of genius. One wonders how. The story, on the face of it, would seem to belong in the slush pile of a ten-cent pulp fiction mag from the 1930's. The acting is good, very good in places, but not great. The cinematography is straightforward, but nonetheless very effective. It is lean and focused always, showing us what needs to be seen without drawing attention to itself: the invisible style, which is the best. Clouzet's direction is characterized by a vivid depiction of things that we can feel: the mud and filth in the streets, the desperation and the boredom, the cruelty and meanness of men, the oil on their bodies, the singular fact of a ton of nitro in the back seat so that every move is a neuron-exposing adventure. I think that the visceral experience from beginning to end and the fine pacing are the essence of what makes this a great film.
4.5/5