Låt Den Rätte Komma In AKA let the right one in (2008)

12-year-olds Oskar (Kare Hedebrant) and Eli (Lina Leandersson) meet one snowy afternoon at a jungle gym in the courtyard of Oskar's housing complex outside Stockholm. Their young, tender attraction for each other is apparent right from the start and we think we know where their relationship is headed. But there is a deep dark secret to be discovered here and when it's revealed the audience is both repulsed and curiously fascinated at the same time, in a similar fashion as when yellow crime scene tape brings us closer rather than warning us away.
The film is no doubt not for the squeamish as even with the abundance of tender scenes between Oskar and Eli, violence is still undeniably present which is depicted in either a repulsive or comedic light.In Tomas Alfredson's modern twist, Eli's fangs are treated as if it were of biological origins, which need a treatment that may pose morality questions. Her paternal figure becomes the film's tragic core as he emphasizes the depressing lengths he would go through to sustain Eli's thirst for blood. Although played as if he was paternal, further reveals later would show his function was to foreshadow the main protagonist's future removed from this micro cosmos.
Eli is perfectly portrayed by Lina Leandersson as she not so much carry the entire film, but devours the role. she gains easy support from audiences just from her look alone. Perfectly matched with Kåre Hedebrant, leads instantly become characters worth caring about, that even the murders that conspire become a necessity.
Set in Scandinavia, film reminds of "30 Days of Night" as it's filmed as if it never sees the sun and is forever winter. Of course, this works well with the illusion of having the main character as someone who would burst into flames if UV rays touches her skin. This, among others are the film's small touches that further cement the mythology on vampires and adds some more, even.
"Låt Den Rätte Komma In" is indeed an enjoyable intimate celebration of loneliness and the things that transpire from it. Setting it with a vamp angle further uplifts the thematical significance of the film, although even if they exist, picture doesn't pretend to be more than it actually is. Conceived with a specific audience in mind, the curious would also be rewarded. Film often reaches subliminal moments that will live long in the memory.
4/5