
Plot:Faced with an unplanned pregnancy, an offbeat young woman makes an unusual decision regarding her unborn child.
The thing that separates "Juno" from so many other films about teen pregnancy is that, in this case, the 16-year-old who finds herself in that predicament refuses to become a victim of her circumstances. From the moment she confirms the unwelcome news, Juno studies her options - abortion, raising the child as a single teen parent, adoption - then takes matters into her own hands.
This is without a doubt Ellen Page's show. She's in almost every scene, and I couldn't spot an instalnce when she made a bad decision or timed a delivery anything but dead-on.The father's a guy Juno had sex with once upon a time, who also happens to be her best friend, Paulie Bleeker (a non-affected, quite bland Michael Cera). She decides to give it up for adoption, being 16 and all, which Paulie supports
First-time screenwriter Diablo Cody hits pay dirt with a clear-eyed, largely unsentimental script that is not afraid to go off in unexpected and interesting directions and that avoids patronizing its Middle American characters. Juno's father and stepmother manage to take the news in stride, while the yuppie couple Juno alights on to be the child's adoptive parents are given a depth and complexity far beyond what a lesser writer might have afforded them. Director Jason Reitman keeps the quirkiness to a minimum and allows the scenes to play out in a naturalistic, unhurried way. Confident in the strength and appeal of his material, he lets the gentle human comedy speak for itself.
I think what only slows the film down is the near forced relationship between Page and Bateman that grows as the film goes on.the dialogue and scenes between them just sound like an afterthought, and do not seem in sync with the rest of the film.
Juno is not perfect but is consistently humorous and, in one scene near the end, somewhat heartbreaking.7.5/10

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